MacArthur Award for Creative & Effective Institutions

MacArthur Award for Creative & Effective Institutions / Meet the 2016 Recipients

Chicago Opera Theater

Chicago, Illinois
Published February 18, 2016
Image of Chicago Opera Theater

The gospel quartet sings in Ricky Ian Gordon's A Coffin in Egypt, 2015

Staging fresh approaches to opera for new audiences

Chicago Opera Theater works to build the opera community of the future by presenting new and rarely performed operas in unconventional ways to diverse audiences.

Chicago Opera Theater continues to experiment with the art form, and strives to induce a sea change in the opera world by making the art form more accessible to all audiences. The organization works to stretch itself and those who come to see opera by producing works in groundbreaking, non-traditional ways. It is becoming known for its site-specific productions and new models for co-productions with other companies across the country. For example, in 2013, the theater led a free production of Orpheus and Euridice that was performed entirely in a Chicago Park District swimming pool.

Baritone Nmon Ford as Macbeth in Ernest Bloch's Macbeth, 2014

Chicago Opera Theater produces a season of operas each year, complimented by additional programming through inter-sector partnerships. Its year-long, in-school, elementary education program, Opera for All, and its semester-long after-school musical production program, Chicago Opera Theater for Teens,, reaches more than 1,000 Chicago students. Its Young Artist Program, run in partnership with the Roosevelt University Chicago College of Performing Arts, trains post-graduate opera stars of the future and provides them with invaluable and unique professional opportunities.

Its commitment to bringing opera to unexpected community locations changes the potential audience and its experience of opera. For an art form where the audiences have been steadily declining and aging, these fresh and affordable approaches are essential for opera’s future.

The Chicago Opera Theater will use its $800,000 MacArthur Award to establish an operating reserve; it will also conduct a market study and create a long-term strategic plan.

Ryan MacPherson as Lucio and Maeve Höglund as Giunia in Mozart's Lucio Silla, 2015

Paul Scholten as Banquo's ghost in Ernest Bloch's Macbeth, 2014

Arts & Culture in Chicago, Arts & Culture

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Twitter: @ChicagoOpera

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The Award, which recognizes exceptional nonprofit organizations that are engaged in the Foundation’s core fields of work and helps ensure their long-term sustainability, provides each organization with $200,000 to $1 million.