MacArthur Fellows Program

Deborah Eisenberg

Short Story Writer | Class of 2009

Crafting distinctive portraits of contemporary American life in tales of striking precision, fluency, and moral depth.

Short Story Writer
New York, New York
63 at time of award
Published January 26, 2009

About Deborah's Work

Deborah Eisenberg is a writer of short fiction whose works present an unusually distinctive portrait of contemporary American life. Her exquisitely distilled stories often depict men and women coming to terms with their personal relationships and grappling with the changing social context in which those relationships occur. Through her deft use of dialogue and point of view, she captures subtle shifts in consciousness and makes observations that readers recognize as both true and strikingly original. The hallmarks of Eisenberg’s style — crystalline prose, keen perceptions of emotional nuance, and wry wit — are all evident in Twilight of the Superheroes (2006), the most recent of her four short story collections. In the title story, a meditation on the terrorist attacks of September 11 and their aftermath, a group of young, post-collegiate friends witnesses the attacks from their sublet loft in downtown New York City. Crafting each sentence to deepen readers’ understanding of her characters, Eisenberg juxtaposes the disaster’s lasting impact on the individuals against the ordinariness and routines of daily life, such as working at a job and coping with one’s family. In this story and throughout the entire collection, she reveals common yet often unnoticed facets of human experience with skill, sensitivity, and precision. Devoted to the short story form, Eisenberg continues to produce elegant explorations of the human psyche in tales of increasing complexity, fluency, and moral depth.


Deborah Eisenberg received a B.A. (1969) from the New School College. Her additional works include Transactions in a Foreign Currency (1986), Under the 82nd Airborne (1992), and All Around Atlantis (1997), and her short stories have appeared in such publications as the New Yorker, the Yale Review, the Virginia Quarterly Review, and Tin House. She has taught at the University of Virginia since 1994, where she is currently a professor of creative writing.

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