MacArthur Fellows Program

Basil Twist

Puppetry Artist and Director | Class of 2015

Revitalizing puppetry as a serious and sophisticated art form in imaginative experiments with its materials, techniques, and uses in both narrative and abstract works.

Title
Puppetry Artist and Director
Location
New York, New York
Age
46 at time of award
Area of Focus
Theatrical Arts

Basil Twist is a puppeteer and theater artist whose experiments with the materials and techniques of puppetry explore the boundaries between the animate and inanimate, the abstract and the figurative. Twist’s works range from productions of classic stories to abstract visualizations of orchestral music and are informed by puppetry traditions from around the world, including hand puppets, bunraku, and string-and-rod marionettes.

His best-known work, Symphonie Fantastique (1998), uses a complex choreography of fabric, feathers, tinsel, and cutouts in a 500-gallon tank of water to evoke human characteristics and emotions and illuminate Berlioz’s score in unexpected ways. Twist has brought puppetry to new audiences and venues with a captivating beauty and refinement. He tells the story of La Bella Dormente nel Bosco (Sleeping Beauty in the Woods, 2005) with life-sized marionettes, controlled by puppeteers on an overhead bridge, and onstage singers. In Petrushka (2001), he employs meticulously crafted, life-like puppets moved by puppeteers who are sometimes visible (as in the bunraku tradition) to underscore the theme of tragic manipulation in the love-triangle plot. More recently, Twist has returned to his roots in abstraction in The Rite of Spring (2013); he enacts the intensity of both Stravinsky’s score and the response to the original ballet’s debut in 1913 through cascading curtains of billowing silk, crumpled paper, curling smoke, projections, and just a single dancer.

In addition to his own productions, Twist is a frequent collaborator with renowned opera companies, choreographers, and playwrights, and he has trained and mentored an entire generation of young puppet artists at the Dream Music Puppetry Program based at the HERE Arts Center. Twist’s wide-ranging and trailblazing body of work is revitalizing puppetry as a serious and sophisticated art form in and of itself and establishing it as an integral element in contemporary theater, dance, and music.

Basil Twist received a D.M.A. (1993) from the École Nationale Supérieure des Arts de la Marionnette. His additional works include Master Peter’s Puppet Show (2002), Hansel and Gretel (2006), Dogugaeshi (2004), and Arias with a Twist (2008). He has designed and directed puppets for a number of collaborative theatrical and opera productions, such as Red Beads (Mabou Mines, 2005) and The Long Christmas Ride Home (written by Paula Vogel, 2004), and original dance works, including Darkness and Light (Pilobolus, 2008) and Cinderella (Dutch National Ballet, 2012). Since 1999, he has served as director of the Dream Music Puppetry Program at the HERE Arts Center in New York City.

News About this Fellow
April 19, 2017
"San Francisco Ballet Turns ‘Cinderella’ into a Puppet Show"
San Francisco Magazine
Basil Twist, 2015 MacArthur Fellow
January 31, 2017
"Give Them a Hand: Puppet Artists Are Having a Moment"
The New York Times
Basil Twist, 2015 MacArthur Fellow
Related Grantee: Blair Thomas & Co
December 6, 2016
"Crafting a new ‘Nutcracker’ for the Joffrey Ballet"
Chicago Sun-Times
Basil Twist, 2015 MacArthur Fellow
Related Grantee: Joffrey Ballet of Chicago
September 15, 2016
"Hip Pocket Theatre Pulls a ‘Monster’ Out of Its Past"
Star-Telegram
Basil Twist, 2015 MacArthur Fellow
January 12, 2016
"How Basil Twist Created ‘Sisters’ Follies’ in Just Three Months"
American Theatre
Basil Twist, 2015 MacArthur Fellow
October 11, 2015
"Meet a Puppeteer with a Gift for Pulling Strings"
CBS News Sunday Morning
Basil Twist, 2015 MacArthur Fellow
View all news

Photos

Photos are owned by the MacArthur Foundation and licensed under a Creative Commons license: CC-BY.
Credit: John D. & Catherine T. MacArthur Foundation.

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