Deborah Willis is a leading scholar in the investigation and recovery of the legacy of African-American photography.
A historian of photography and a photographer, she brings an artist’s sensibility to her scholarly and curatorial work. She has written monographs on J. P. Ball, the nineteenth-century daguerreotypist, and James Van Der Zee, a twentieth-century chronicler of Harlem. Her other research focuses on contemporary African-American photographers. Willis has curated numerous major exhibits, including the Smithsonian exhibition Reflections in Black: A History of Black Photographers, 1840 to the Present (2000), which unites vintage images by masters from the nineteenth and early-twentieth centuries with the work of contemporary figures. Her many books include Picturing Us: African-American Identity in Photography (1994), Harlem Renaissance: Art of Black America (1994, co-authored), Visual Journal: Harlem and DC in the ’30s and ’40s (1996, co-authored), A Small Nation of People: W. E. B. DuBois Portraits of Progress (2003, co-authored), and Family History Memory: Recording African American Life (2005).
Willis is a University Professor and a professor of photography and imaging at New York University’s Tisch School of the Arts.
Willis received a B.F.A. (1975) from the Philadelphia College of Art, an M.F.A. (1979) from the Pratt Institute, an M.A. (1986) from the CUNY Graduate School, and a Ph.D. (2001) from the George Mason University.
Last updated January 1, 2006